![]() A tomboy, accustomed to exclusively male company, and who does not hesitate to affect a bit of misogyny in order to fit in, Justine could not have foreseen what her body is about to go through in this film that brilliantly marries body horror and dark humor. Diallo perfectly blends horror with drama, mystery, and thriller, to tell a very real story.When Justine, aka “Junior”, has to stay home because of the stomach flu, she experiences a rebellion of her body. The director recently told BGN, “There’s a responsibility that I feel to do it properly and to do it honestly and not to do it in a way that feels kind of crass or exploitative….” Something that the horror genre offers filmmakers is a sense of freedom. As with other films on this list, Diallo’s personal experience as a Black woman in America gave her the tools to authentically portray the common microaggressions people of color deal with on the daily. Mariama DialloĪnother recent horror hit out of Sundance is Mariama Diallo’s Master, an atmospheric thriller following three Black women as they navigate a predominantly white university. The result is a deeply unsettling, authentically feminine portrait of complex mother-daughter relationships, the psychology of food, personal spirituality, and more. “I know these relationships, I know these women, but I think I can deepen the characterization here,” she said. Paxton was drawn to Justin Bull’s great script and felt she could make the well-written characters even more authentic. Ruth Paxton’s feature directorial debut A Banquet follows a widow raising her two teenage daughters, the eldest of whom experiences a spiritual awakening and stops eating. Jusu calls the film “a dark, but hopeful, love letter for mothers who have been systematically excluded from the American dream.” Not only is this film centered on a Black woman, but there were several women of color behind the camera, including cinematographer Rina Yang ( Euphoria), casting director Kim Coleman ( Lovecraft Country), and costume designer Charlese Antoinette Jones ( Judas and the Black Messiah), just to name a few.Ĭolman Domingo Stars as Activist Bayard Rustin in 'Rustin' Ruth Paxton Nanny centers on a Senegal woman caring for the child of a wealthy white family in Manhattan while she saves money to bring her son over from West Africa to live with her in New York. Jusu herself is only the second Black woman to win. Speaking of making history, Nikyatu Jusu’s Nanny recently won Sundance Film Festival’s Grand Jury Prize, the first horror movie to win the top award. In an interview with Sharon Stone, she said that she created a character that was “hyper-violent” and went “against every feminist stereotype of softness, being polite, having a great body.” Having already made her way into television, directing episodes of Servant, Ducournau is sure to go on as an iconic filmmaker in horror. Last year, the French writer-director won the Palme d’Or at the 2021 Cannes Film Festival for Titane, making history as the second female director to take the top prize. ![]() In 2016, Julia Ducournau came on the scene with the cannibalistic horror film Raw, a bloody coming-of-age tale that garnered high praise. She may be one of the most exciting voices in horror, but she’s just getting started. She became the first Black female director to have a #1 film at the box office and is currently working on The Marvels. Once the film came out, DaCosta showed everyone that she’s the person we should be talking about. The film was largely marketed using Peele’s name. If you’re a fan of Jordan Peele, chances are you’re familiar with Nia DaCosta, with whom he collaborated on Candyman. ![]() She notes that her background in dancing helps her approach filmmaking from a “physical standpoint” with a “spatial awareness.” With Fresh, Cave proves that she’s an intuitive filmmaker with a unique eye who will continue to chill and thrill us. While Cave is just now getting noticed in Hollywood, her previous work includes commercials and music videos for artists like Sleigh Bells and Vance Joy. Written by Lauryn Kahn ( Ibiza), the horror-comedy explores women’s fears when it comes to modern dating through a single woman’s disastrous encounter with a charming sociopath. ![]() Mimi Cave’s directorial debut Fresh premiered at the 2022 Sundance Film Festival and recently began streaming on Hulu.
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